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Puerto Rican singer Lalo Rodríguez seduced romantic salsa lovers with his 1989 hit “Ven, Devorame Otra Vez.” Like her other fantastic recordings, her rumbafied version of the Afro-Peruvian standard “Toro Mata” with Fania co-founder Johnny Pacheco captured the euphoria of the times. “Toro Mata,” Celia Cruz and Johnny PachecoĬelia Cruz’s transformation from Cuban singer to “queen of salsa” took place in New York City, where she signed with Fania Records. “Sin Salsa No Hay Paraiso,” El Gran Combo de Puerto RicoĪ 2010 salsa track from the Puerto Rican institution exemplifies the required curriculum of the band known as the “salsa university.”Ĭolombia’s Grupo Niche lend their cool salsa style to this tribute to their home town. Marc Anthony’s salsa comeback hit swept the 2014 Billboard Latin Music Awards.Ī revisionist history lesson marked by Afro-Latin percussion and punctuated by horns and a traveling piano solo, the great Colombian salsero Joe Arroyo’s 1986 grooving protest song continues to resonate on dance floors throughout Latin America. The evergreen crossover hit from the groundbreaking album Siembra features salsa music’s best-known chorus (“La vida te da sorpresas Sorpresas te da la vida, ay dios”). “Pedro Navaja,” Willie Colon and Rubén Blades Colombian band Fruko y Sus Tesos’ 1975 anthem is the most liberating Salsa song about prison ever recorded.įusing hard salsa music with fire truck sirens, Puerto Rican group La Sonora Ponceña’s crowd favorite is always caliente.